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Alison Krauss Music Scores
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Alison Krauss: Now That I've Found You
Alison Krauss: Now That I've Found You
Performed by Alison Krauss. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar tab glossary and color photos. Country and Bluegrass. 84 pages. 9x12 inches. Published by Warner Brothers.
Alison Krauss, Union Station: So Long So Wrong
Alison Krauss, Union Station: So Long So Wrong
Performed by Alison Krauss, Union Station. For guitar, 5-string banjo and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar tab glossary and color photos. Country and Bluegrass. 100 pages. 9x12 inches. Published by Warner Brothers.
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Alison Krauss: When You Say Nothing At All
Alison Krauss: When You Say Nothing At All
Performed by Alison Krauss, composed by Don Schlitz, Paul Overstreet. For voice, piano and guitar chords. Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Country and Bluegrass. Eb Major. 5 pages. 9x12 inches. Published by Hal Leonard.
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Lots of Alison Krauss News and Articles
No plans? 10 last-minute things to do this weekend (Rochester Democrat & Chronicle)
(May 13, 2005) — Want to see Marilyn Monroe and Elvis together? The Golden Ponds Restaurant & Party House, 500 Long Pond Road, and Stargrams Entertainment resurrect them Saturday during a dinner featuring impersonators.
The Calendar Musical Notes (Detroit Jewish News)
Alison Krauss and Union Station with Jerry Douglas Bluegrass with crossover to pop, country and more. Wharton Center for Performing Arts, Michigan State University, East Lansing. 8 p.m. Friday, May 13. $30-$52. (800) 942-7866 or www.whartoncenter.com.
Thursday, May 26, 2005 (Free Lance)
Its lonesome tales of home and farm life and its jubilant, foot-stomping rhythms form an essential core of Americana, but bluegrass music isn t as old as most people think.
Poetic picking (The Times Argus)
While the claim on the back of the Gordon Stone Band's new CD, "Rhymes With Orange," "changing the future of acoustic music with vivid melodic compositions and funk inspired grooves" might seem more than a tad bold, there's no denying that the banjo and pedal steel guitar master has long been an innovative and forward-looking force on the acoustic music scene.
Béla Fleck
the band Béla Fleck and the Flecktones, which he has described as "a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz." [1] Fleck was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen, and within a few years began performing with travelling bands.[1],[2] Before the Flecktones, Fleck played with Newgrass Revival and several other bluegrass bands. After a 1998 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck & the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. With the Flecktones, Fleck has been
Bill Monroe
1911 - September 9, 1996) developed the style of music known as bluegrass, which takes its name from his band, the Blue Grass Boys, named for his home state of Kentucky. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. His career began in the 1930s when he and his older brother Charlie began performing as a duet, the Monroe Brothers. In 1939, after the brothers parted ways, Monroe formed the first edition of the Blue Grass Boys, and the same year became a regular on the Grand Ole Opry. As a mandolin player, Monroe brought a virtuosity previously unknown in country music to his instrument. In 1945 he hired Earl Scruggs, who similarly elevated the role of the banjo. This group, which also included singer/guitarist Lester
John Fahey
of the first guitarists to perform solo works for the steel-string acoustic guitar. His music defies categorization, drawing inspiration from American folk music, blues, classical music, Brazilian music and Indian music. In several of his later works, he experimented with dissonance and noise; these later works have been compared with musique concrete and industrial music. He founded the Takoma label in the 1960s, which helped launch the career of fellow fingerstyle guitarists Leo Kottke, Peter Lang, and Robbie Basho. Fahey was also noted for his writing skills, having written voluminous liner notes which (among other things) satirized the folk music scholarship of his day. He is the author of two books: Charley Patton, an analysis of the famous Delta bluesman, and How Bluegrass Music Destroyed My Life, a book of essays
Bluegrass Messengers
Bluegrass Messengers The Bluegrass Messengers are a band that plays bluegrass music. External Link: http://bluegrassmessengers.com/ This article is a stub article. You can help Wikipedia by improving it.
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Buy Music Alison Krauss From Amazon.com
I Know Who Holds Tomorrow
from: Rounder / Pgd (04 February, 1994)
Alison Krauss & Union Station - Live
from: Rounder / Pgd (05 November, 2002)
I've Got That Old Feeling
from: Rounder / Pgd (01 July, 1991)
New Favorite
from: Rounder / Pgd (14 August, 2001)
So Long So Wrong
from: Rounder / Pgd (25 March, 1997)
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